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Da: Ibs.it | 1 | Brand: Laura Thompson Ean: 9781784082468 -

'Another dark parable of society's vilification of women. Intelligent... A tantalizing investigation' Kate Colquhoun. \n\nOn the night of 3 October 1922, in the quiet suburb of Ilford, Edith Thompson and her husband Percy were walking home after an evening spent at a London theatre, when a man sprang out of the darkness and stabbed Percy to death. The assailant was Frederick Bywaters, a twenty-year-old merchant seaman who had been Edith's lover. When the police learned of his relationship with Edith, she was arrested as his accomplice, despite protesting her innocence. The remarkably intense love letters Edith wrote to Freddy - some of them couched in ambiguous language - were read out at their trial for murder at the Old Bailey. They would seal her fate: Edith and Freddy were hanged for the murder of Percy Thompson in January 1923. Freddy was demonstrably guilty; but was Edith truly so? \n\nIn shattering detail and with masterful emotional insight, Laura Thompson charts the course of a liaison with thrice-fatal consequences, and investigates what the trial and execution of Edith Thompson tell us about perceptions of women in early twentieth-century Britain.

Da: Lafeltrinelli.it | 1 | Brand: Laura Thompson Ean: 9781784082468 -

'Another dark parable of society's vilification of women. Intelligent... A tantalizing investigation' Kate Colquhoun. \n\nOn the night of 3 October 1922, in the quiet suburb of Ilford, Edith Thompson and her husband Percy were walking home after an evening spent at a London theatre, when a man sprang out of the darkness and stabbed Percy to death. The assailant was Frederick Bywaters, a twenty-year-old merchant seaman who had been Edith's lover. When the police learned of his relationship with Edith, she was arrested as his accomplice, despite protesting her innocence. The remarkably intense love letters Edith wrote to Freddy - some of them couched in ambiguous language - were read out at their trial for murder at the Old Bailey. They would seal her fate: Edith and Freddy were hanged for the murder of Percy Thompson in January 1923. Freddy was demonstrably guilty; but was Edith truly so? \n\nIn shattering detail and with masterful emotional insight, Laura Thompson charts the course of a liaison with thrice-fatal consequences, and investigates what the trial and execution of Edith Thompson tell us about perceptions of women in early twentieth-century Britain.

Da: Lafeltrinelli.it | 1 | Brand: Michael Coveney Ean: 9781350265752 -

This is the vital story of the amateur theatre as it developed from the medieval guilds to the modern theatre of Ayckbourn and Pinter, with a few mishaps and missed cues along the way. Michael Coveney - a former member of Ilford's Renegades - tells this tale with a charm and wit that will have you shouting out for an encore. \n\nBetween the two world wars, amateur theatre thrived across the UK, from Newcastle to Norwich, from Bolton to Birmingham and Bangor, championed by the likes of George Bernard Shaw, Sybil Thorndike, and J B Priestley. Often born out of a particular political cause or predicament, many of these theatres and companies continue to evolve, survive and even prosper today. \n\nThis is the first account of its kind, packed with anecdote and previously unheard stories, and it shows how amateur theatre is more than a popular pastime: it has been endemic to the birth of the National Theatre, as well as a seedbed of talent and a fascinating barometer and product of the times in which we live.\n\nSome of the companies Coveney delves into - all taking centre stage in this entertaining and lively book - include the Questors and Tower Theatre in London; Birmingham's Crescent Theatre; The Little Theatre in Bolton, where Ian McKellen was a schoolboy participant; the Halifax Thespians; Lincolnshire's Broadbent Theatre, co-founded by Jim Broadbent's father and other conscientious objectors at the end of World War II; Crayford's Geoffrey Whitworth Theatre, where the careers of Michael Gambon and Diana Quick were launched; Anglesey's Theatr Fach, a crucible of Welsh language theatre; and Cornwall's stunning cliff-top Minack.

Da: Lafeltrinelli.it | 1 | Ean: 9781800182462 -

As seen on Woman's Hour, BBC Newsnight and in the Daily Telegraph \n\nA hundred years ago, on the night of 3 October 1922, a thirty-two-year-old clerk named Percy Thompson was stabbed to death as he walked home to his suburban villa in Ilford. With him was his wife, twenty-eight-year-old Edith. His killer was Edith’s lover: Frederick Bywaters, a merchant seaman aged twenty. Bywaters was hanged for murder on 9 January 1923. So too was Edith Thompson.\n\nThere was no evidence, of any kind, that she was involved with the killing. What condemned Edith were the letters that she had written to her lover, which were interpreted by the law as incitement to murder. These letters are remarkable documents. Charged with the vitality of Edith's voice, they are moving, perplexing, maddening, banal, spectacularly sensual, infused with a stream-of-consciousness immediacy. And they have never been collected in print, until now.\n\nIn Au Revoir Now Darlint Laura Thompson – author of the CWA Gold Dagger-shortlisted Rex vs Edith Thompson – gathers the letters together alongside illuminating commentary to tell the story of an ordinary life and an extraordinary imagination that ultimately led to appalling tragedy.

Da: Ibs.it | 1 | Brand: Michael Coveney Ean: 9781350265752 -

This is the vital story of the amateur theatre as it developed from the medieval guilds to the modern theatre of Ayckbourn and Pinter, with a few mishaps and missed cues along the way. Michael Coveney - a former member of Ilford's Renegades - tells this tale with a charm and wit that will have you shouting out for an encore. \n\nBetween the two world wars, amateur theatre thrived across the UK, from Newcastle to Norwich, from Bolton to Birmingham and Bangor, championed by the likes of George Bernard Shaw, Sybil Thorndike, and J B Priestley. Often born out of a particular political cause or predicament, many of these theatres and companies continue to evolve, survive and even prosper today. \n\nThis is the first account of its kind, packed with anecdote and previously unheard stories, and it shows how amateur theatre is more than a popular pastime: it has been endemic to the birth of the National Theatre, as well as a seedbed of talent and a fascinating barometer and product of the times in which we live.\n\nSome of the companies Coveney delves into - all taking centre stage in this entertaining and lively book - include the Questors and Tower Theatre in London; Birmingham's Crescent Theatre; The Little Theatre in Bolton, where Ian McKellen was a schoolboy participant; the Halifax Thespians; Lincolnshire's Broadbent Theatre, co-founded by Jim Broadbent's father and other conscientious objectors at the end of World War II; Crayford's Geoffrey Whitworth Theatre, where the careers of Michael Gambon and Diana Quick were launched; Anglesey's Theatr Fach, a crucible of Welsh language theatre; and Cornwall's stunning cliff-top Minack.

Da: Ibs.it | 1 | Ean: 9781800182462 -

As seen on Woman's Hour, BBC Newsnight and in the Daily Telegraph \n\nA hundred years ago, on the night of 3 October 1922, a thirty-two-year-old clerk named Percy Thompson was stabbed to death as he walked home to his suburban villa in Ilford. With him was his wife, twenty-eight-year-old Edith. His killer was Edith’s lover: Frederick Bywaters, a merchant seaman aged twenty. Bywaters was hanged for murder on 9 January 1923. So too was Edith Thompson.\n\nThere was no evidence, of any kind, that she was involved with the killing. What condemned Edith were the letters that she had written to her lover, which were interpreted by the law as incitement to murder. These letters are remarkable documents. Charged with the vitality of Edith's voice, they are moving, perplexing, maddening, banal, spectacularly sensual, infused with a stream-of-consciousness immediacy. And they have never been collected in print, until now.\n\nIn Au Revoir Now Darlint Laura Thompson – author of the CWA Gold Dagger-shortlisted Rex vs Edith Thompson – gathers the letters together alongside illuminating commentary to tell the story of an ordinary life and an extraordinary imagination that ultimately led to appalling tragedy.