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Musicology: The Key Concepts (routledge Key Guides) By Beard, Gloag Hb..

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Practical Musicology By Professor Simon Zagorski-thomas (university Of West Lond

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Da: Lafeltrinelli.it | 100 | Ean: 9781108755719 -

Da: Ditano.com | 100 | Brand: Musicology Ean: 3760309760117 -

Musicology Sun Goddess Eau De Parfum.
una Fragranza Dal Solco Chiaramente Solare. Cattura E Poi Magnetizza Con Un Vortice Radioso Di Fiori D'Arancio E Frangipane.
questo Soffio Di Luminosa Luce Naturale È Trasmesso Dall'Iconico Gelsomino Sambac, P

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Musicology Close To Midnight Eau De Parfum.
per I Nottambuli, Questa Fragranza Mescola Ambra Misteriosa E Caffè Con Inflessioni Intense, Avvincenti E Sorprendenti.
dalla Pressione Nasce Una Deliziosa Seduzione. La Delicata Sensualità Del Gelsomin

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Musicology White Is Wight Eau De Parfum.
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Musicology 'Cause I'M Happy.
una Melodia Che Allieta Il Cuore E Ti Fa Sorridere. È Un Segreto? Il Ritmo Balzante E Radioso Degli Agrumi, Amplificato Da Una Sinfonia Unica Di Legno, Muschio E Ambra.
dietro L'Apparente Semplicità, Un Fascino Folle!

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grande Successo In Movimento, Questa Creazione Magnetica È Progettata Su Una Sinfonia Di Ylang-Ylang, Tuberosa E Gardenia E Un Pizzicato Di Pepe Rosa E Balsamo Avvincente.
gli Accenti Vibranti Ed Esplosivi D

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Musicology The Rose Eau De Parfum.
una Rosa Psichedelica, Appetitosa E Mai Annusata, Per Regalarti Il ​​brivido. È Esacerbato Da Un Trio Delizioso E Affascinante: Polpa Di Lampone, Viola Talcata E Legni Bianchi Dalla Dolcezza Spaventosa.
come

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Musicology Fly Me To The Oud Eau De Parfum.
un Oud Sottilmente Reinventato, Protagonista Di Una Melodia Jazz Irresistibilmente Orecchiabile...

come Preludio, La Fragranza Si Apre Sul Legno Di Sandalo Australiano, Speziato Con Pepe Nero Incendia

Da: Ibs.it | 100 | Ean: 9780367503239 -

Popular Musicology and Identity paves new paths for studying popular music’s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Da: Ibs.it | 100 | Ean: 9780191630316 -

Da: Ibs.it | 100 | Ean: 9783319114729 -

Da: Ibs.it | 100 | Ean: 9781138322882 -

Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Da: Lafeltrinelli.it | 100 | Ean: 9781138322882 -

Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Da: Lafeltrinelli.it | 100 | Ean: 9783319114729 -

Da: Ibs.it | 100 | Ean: 9781139986595 -

Da: Lafeltrinelli.it | 100 | Ean: 9781139986595 -

Da: Lafeltrinelli.it | 100 | Ean: 9780191630316 -

Da: Lafeltrinelli.it | 100 | Ean: 9780367503239 -

Popular Musicology and Identity paves new paths for studying popular music’s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Da: Lafeltrinelli.it | 100 | Ean: 9780190290504 -

Da: Ibs.it | 100 | Ean: 9780190290504 -

Da: Ibs.it | 100 | Ean: 9781138383524 -

Critical Essays in Popular Musicology is an essential reference work which reproduces in facsimile form many of the most important and innovative journal articles and papers in the field, along with an introductory overview by the editor Allan Moore. The volume is designed to improve access to the most significant, concise English-language writing, which articulates and demonstrates some of the key constituents of a popular musicology. It avoids those pieces which have been published in other collections. The essays are divided into two parts - those that articulate the key questions of popular musicology, which discuss contexts for addressing texts, and those that demonstrate the discipline in practice, which actually address those texts. This is a valuable volume for libraries expanding their collections in musicology and popular music studies and will provide scholars and graduate students with a convenient and authoritative reference source.

Da: Lafeltrinelli.it | 100 | Ean: 9781138383524 -

Critical Essays in Popular Musicology is an essential reference work which reproduces in facsimile form many of the most important and innovative journal articles and papers in the field, along with an introductory overview by the editor Allan Moore. The volume is designed to improve access to the most significant, concise English-language writing, which articulates and demonstrates some of the key constituents of a popular musicology. It avoids those pieces which have been published in other collections. The essays are divided into two parts - those that articulate the key questions of popular musicology, which discuss contexts for addressing texts, and those that demonstrate the discipline in practice, which actually address those texts. This is a valuable volume for libraries expanding their collections in musicology and popular music studies and will provide scholars and graduate students with a convenient and authoritative reference source.

Da: Lafeltrinelli.it | 100 | Ean: 9798223395874 -

Da: Ibs.it | 100 | Ean: 9798223395874 -

Da: Ibs.it | 100 | Brand: David Beard;kenneth Gloag Ean: 9780415679688 -

Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:\n\n\n\n \n\n \nAutobiography\n \n\n \nMusic and Conflict\n \n\n \nDeconstruction\n \n\n \nPostcolonialism\n \n\n \nDisability\n \n\n \nMusic after 9/11\n \n\n \nMasculinity\n \n\n \nGay Musicology\n \n\n \nAesthetics\n \n\n \nEthnicity\n \n\n \nInterpretation\n \n\n \nSubjectivity\n\nWith all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

Da: Ibs.it | 100 | Ean: 9783662550045 -

Da: Ibs.it | 100 | Brand: Simon Zagorski-thomas Ean: 9781501357794 -

Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.

Da: Lafeltrinelli.it | 100 | Brand: David Beard;kenneth Gloag Ean: 9780415679688 -

Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:\n\n\n\n \n\n \nAutobiography\n \n\n \nMusic and Conflict\n \n\n \nDeconstruction\n \n\n \nPostcolonialism\n \n\n \nDisability\n \n\n \nMusic after 9/11\n \n\n \nMasculinity\n \n\n \nGay Musicology\n \n\n \nAesthetics\n \n\n \nEthnicity\n \n\n \nInterpretation\n \n\n \nSubjectivity\n\nWith all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

Da: Lafeltrinelli.it | 100 | Brand: Simon Zagorski-thomas Ean: 9781501357794 -

Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.

Da: Ibs.it | 100 | Brand: Peter Franklin Ean: 9781032666600 -

Who writes the books we read about music that excites us, and why? Is ‘classical music’ all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two recent studies of Benjamin Britten have specifically interested the author, who was educated in a world where the composer was a living subject of criticism and praise, his works reflecting values, worries and dramas that were not just about ‘music’. Franklin’s response is to question the recent writers, proposing that, like theirs, his own story conditioned when and how he experienced Britten. This he unfolds autobiographically in and around the discussion of specific works. Recalling his encounters with the composer as a schoolboy, as a student and opera-goer, and then as a teacher, he challenges recent assertions about Britten and modernism in the period.

Da: Ibs.it | 100 | Ean: 9783030784515 -

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