Offerte per: Pierre legrand

Negative Comparative Law By Pierre Legrand By Pierre Legrand (hardcover)

Comparative Law And The Task Of Negative Critique By Pierre Legrand Hardcover Bo

Comparative Legal Studies: Traditions And Transitions By Pierre Legrand (english

Comparative Legal Studies: Traditions And Transitions By Pierre Legrand (english

Written under the sign of Beckett, this book addresses comparative law's commitment to the deterritorialization of the legal and its attendant claim for the normative relevance of foreign law locally in the fabrication of statutory determinations, judicial opinions, or academic reflections. Wanting to withstand the law's persistent tendency towards nationalist retrenchment and counter comparative law's institutional marginalization, the fifteen essays at hand impart radical and discerning intellectual equipment in order to foster the valorization of the legally foreign and the comparative motion. In particular, the critique informing this manifesto examines pre-eminent topics like culture and difference, understanding and translatability, objectivity and truth, invention and tracing. Harnessing insights from a range of disciplinary discourses, this book contends that comparatists must boldly desist from their field's dominant epistemology and embrace a practice much better attuned to the study of foreignness.

Written under the sign of Beckett, this book addresses comparative law's commitment to the deterritorialization of the legal and its attendant claim for the normative relevance of foreign law locally in the fabrication of statutory determinations, judicial opinions, or academic reflections. Wanting to withstand the law's persistent tendency towards nationalist retrenchment and counter comparative law's institutional marginalization, the fifteen essays at hand impart radical and discerning intellectual equipment in order to foster the valorization of the legally foreign and the comparative motion. In particular, the critique informing this manifesto examines pre-eminent topics like culture and difference, understanding and translatability, objectivity and truth, invention and tracing. Harnessing insights from a range of disciplinary discourses, this book contends that comparatists must boldly desist from their field's dominant epistemology and embrace a practice much better attuned to the study of foreignness.

Comparative Law And The Task Of Negative Critique By Legrand, Pierre

Miles Davis & Michel Legrand: Legrand Jazz (jean-pierre Leloir Collection) (limi

Negative Comparative Law: A Strong Programme For Weak Thought By Pierre Legrand

Legrand - Agnes De Chaillot Parodie D'ines De Castro En Un Acte En V - J555z

Legrand-p - Dictionnaire Du Patois De Lille Et De Ses Environs D.185 - J555z

Le Complot De San Donato: Volume 6 (saga Cinquecento).by Legrand, Cambier New

Legrand - Le Bourgeois De Lille Esquisses Locales... - New Paperback - M555z

La Roselia Re De Tessera: Volume 3 (enquaates Vanitiennes). Legrand, Cambier

Legrand-p - Dictionnaire Du Patois De Lille Et De Ses Environs D.185 - J555z

Legrand - Le Bourgeois De Lille Esquisses Locales... - New Hardback O - M555z

Legrand D Aussy P J - Voyage Fait En 1787 Et 1788 Dans La Ci-devant - M555z

Legrand-p - Socit Royale Des Sciences De L'agriculture Et Des Arts - N555z

Legrand-p - Tudes Sur La Lgislation Militaire Et Sur La Jurisprudenc - M555z

Des Romancieres Sous La Restauration: Genre Et Reception By Amelie Legrand (fren

\"Jean-Pierre was himself a musician, but his choice of instrument was a camera, which he never put away.\" - Michel Legrand\n\n\n\"I am so happy to see Leloir's work published, because behind each image is a story - one that needs to be told and appreciated. Leloir was not just a photographer; instead he was a preserver of history. As a result, this book holds hundreds of stories that shine a light onto the lives of those who live in these pages. Leloir had a unique ability to preserve an entire atmosphere and its surrounding emotions. between the four corners of a picture, but beyond his talent as a photographers, he presented himself not as paparazzi, but a friend. He and my other brother Herman Leonard were two of a kind; they had the same passion for photography and an endless supply of vision.\" - Quincy Jones\n\n\nThis book gives ample proof of Jean-Pierre Leloir's amazing ability to immortalise performers and to capture candid moments at the airport, backstage, and in the dressing rooms of the most legendary Paris jazz and concert venues: \"I loved the people I photographed, so I made myself as available, yet as discreet as possible\", he used to say. \"I never wanted to be a paparazzi. I wanted them to forget my presence so I could catch those little unexpected moments.\" The selection of photographs showcased here has been carefully selected from Leloir's immense catalogue. Many of the images have never been previously published before, and can be easily catalogued as 'atypical' shots, as the musicians were captured primarily in spontaneous situations, away from the fanfare of the stage.\n\n\nText in English with an introduction in English, French and Spanish.

\"Jean-Pierre was himself a musician, but his choice of instrument was a camera, which he never put away.\" - Michel Legrand\n\n\n\"I am so happy to see Leloir's work published, because behind each image is a story - one that needs to be told and appreciated. Leloir was not just a photographer; instead he was a preserver of history. As a result, this book holds hundreds of stories that shine a light onto the lives of those who live in these pages. Leloir had a unique ability to preserve an entire atmosphere and its surrounding emotions. between the four corners of a picture, but beyond his talent as a photographers, he presented himself not as paparazzi, but a friend. He and my other brother Herman Leonard were two of a kind; they had the same passion for photography and an endless supply of vision.\" - Quincy Jones\n\n\nThis book gives ample proof of Jean-Pierre Leloir's amazing ability to immortalise performers and to capture candid moments at the airport, backstage, and in the dressing rooms of the most legendary Paris jazz and concert venues: \"I loved the people I photographed, so I made myself as available, yet as discreet as possible\", he used to say. \"I never wanted to be a paparazzi. I wanted them to forget my presence so I could catch those little unexpected moments.\" The selection of photographs showcased here has been carefully selected from Leloir's immense catalogue. Many of the images have never been previously published before, and can be easily catalogued as 'atypical' shots, as the musicians were captured primarily in spontaneous situations, away from the fanfare of the stage.\n\n\nText in English with an introduction in English, French and Spanish.

Comparative Law And The Task Of Negative Critique - 9780367723002

Negative Comparative Law: A Strong Programme For Weak Thought: 167 (cambridge St