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Steinway Grand Pianoforte Firmato Edizione Limitata Stampa Seta Tre Colori 26/50

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Montblanc 110408 Henry E. Steinway Penna Stilografica M 4810 Edizione 2014 | Nuova

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Michele Campanella - Liszt: Wagner's Flugel (steinway, 1876)

Martha Argerich - Steinway Legends - 2 Cd Box Musica Sigillato

Il Pianoforte Da Concerto Steinway & Sons. Manuale Di Regolazione, Accorda...

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Steinway Service Manual. Guida Per La Cura E Manutenzione Dello Steinway -...

Steinway & Sons B-211, Grand Piano*Second-hand instrument - generally overhauled and refined by our Steinway specialist and master piano builder*@+@+, Year of manufacture: 1922, Exemplary for the Steinway instruments inherent sound culture in its purest form, The rich range of its tonal nuances and its soulful tone have made the model B-211 the instrument of choice for artists, institutions and private musicians alike, Length: 211 cm, Width: 148 cm, Weight: approx. 345 kg, 5 Years Thomann warranty, This grand piano comes with a high-quality piano bench from Andexinger

Steinway & Sons O-180, Grand Piano*Second-hand instrument - generally overhauled and refined by our Steinway specialist and master piano builder*@+@+, Year of manufacture: 1905, The O-180 grand piano provides an extremely precise and unique playing experience, Meets the highest demands and provides all technical requirements with a maximum of inspiration - for the advanced player as well as for the professional musician, Exemplary for the sound culture inherent in Steinway instruments in its purest form, Length: 180 cm, Width: 146.5 cm, Weight: approx. 280 kg, Surface: Black, high-gloss polished

Steinway & Sons O-180, Steinway & Sons O-180 Grand Piano@+*Second-hand instrument - generally overhauled and refined by our Steinway specialist and master piano builder*@+@+, Manufacturing year: 1911, Model: Steinway & Sons O-180, The O-180 grand piano provides an extremely precise and unique playing feeling, It meets the highest demands and offers all technical requirements with maximum inspiration - for the advanced player as well as for the professional musician, An exemplary for the sound culture inherent in Steinway instruments in its purest form, Length: 180 cm, Width: 146.5 cm, Weight: approx. 280 kg, Surface: black high gloss polished, This grand piano will be set up at your home with a high-quality piano bench from Andexinger and tuned and re-toned according to your wishes

Steinway & Sons V-125 used, Steinway & Sons Piano V-125, Surface: Black polished, Height: 125 cm, Year of manufacture: 1988, This piano, refined by our Steinway specialist and master piano builder, is exemplary for the Steinway instruments inherent sound culture in its purest form.

Steinway & Sons B-211, Grand Piano, Year of manufacture: 1960@+@+This fully overhauled grand piano, refined by our Steinway specialist and master piano builder, is exemplary of the Steinway instruments inherent tonal culture in its purest form, the perfection in detail, the rich scale of its tonal nuances and its soulful tone have made the B-211 model the preferred instrument of artists, institutions and private musicians.@+@+, Length: 211 cm, Width: 148 cm, Weight: approx. 345 kg, 5 years Thomann warranty

Steinway & Sons M-170, Grand Piano*Second-hand instrument - generally overhauled and refined by our Steinway specialist and master piano builder*@+@+, Year of manufacture: 1925, The model M-170 gives music its own unmistakable character, Exemplary for the sound culture inherent in Steinway instruments in its purest form, Length: 170 cm, Width: 147 cm, Weight: approx. 275 kg, Surface: Black polished

Steinway & Sons O-180, Steinway & Sons O-180 Grand Piano@+*Used instrument - refurbished and finished by our Steinway specialist and master piano maker*, Year of manufacture: 1932, Model: Steinway & Sons O-180, The O-180 grand piano provides an extremely precise and unique playing feel, It meets the highest demands and provides all the technical requirements with maximum inspiration - for both the advanced player and the professional musician, Exemplary for the sound culture inherent in Steinway instruments in its purest form, Length: 180 cm, Width: 146.5 cm, Weight: approx. 280 kg, Finish: Black polished, Included Andexinger high-quality piano bench

Steinway & Sons Piano I-138, Piano*Used instrument - reconditioned and refined by our Steinway specialist and master piano builder*@+@+, Year of manufacture: 1903, Exemplary for the Steinway instrument's inherent sound culture in its purest form, Height: 138.5 cm, Surface: Black polished

Steinway & Sons A-188 Makassar, Grand Piano*Used instrument - reconditioned and refined by our Steinway specialist and master piano builder.*@+@+, Year of manufacture: 1900, Model: Steinway & Sons A-188, This piano is exemplary for the Steinway sound culture in its purest form., Length: 188 cm, Width: 147 cm, Weight: approx. 315 kg, Surface: Makassar high-gloss polished

\"This book celebrates teamwork and collaboration over the individual, a refreshing take on a practice which is given to celebrating starchitects.\" -Peter H. Miller, Traditional Building\n\nIn 1897, Frank Lloyd Wright, Robert Spencer, Dwight Perkins, and Myron Hunt, all young architects just starting out in practice, shared office space in Chicago. This book is both a history of that brief period and an attempt to assess the extent to which they collaborated on their architectural designs and on the creation of architectural theory which would impact a half century of architectural design. While there is little firsthand documentation of the time spent in their shared loft office in Steinway Hall, this study engages in a side by side comparison of projects they each designed while working there. Overlapping ideas, design similarities, and an analysis of their subsequent work, all suggest that these men formed a creative \"collaborative circle\" of friends, who jointly developed ideas later claimed as the work of Frank Lloyd Wright. This is a book about artistic collaboration at a time when discussions of art and architectural history are still largely dominated by the belief that significant works are created by the lone artistic genius. \n\nAt the turn of the last century Spencer, Perkins, Hunt, and Wright were part of a community of architects who were all active members of the Chicago Architectural. Steinway Hall, an office building designed by Dwight Perkins, became a home to Chicago's architectural community with as many as 50 different architects renting space in that building at the turn of the last century. Based on Real Estate Directories from 1897 through 1910 the book includes a listing of the architects that worked and interacted there. Also included are brief biographies of Spencer, Perkins, and Hunt. Excepting Hunt, none of these men have been the subject of individual publications. While Frank Lloyd Wright's life and work have been extensively chronicled, this book reexamines the period between Wright's arrival in Chicago in 1887 and his move into the loft office in Steinway Hall in 1897.

Mohr's humor and personal perspective on the lives of Rubinstein, Horowitz, and other artists mix music lore with quiet faith.

Chiave A Battente - Varie Varianti - Yamaha Steinway Originale

Penna Stilografica Montblanc Patron Of Art Edizione Limitata 4810 Henry Steinway

Satisfaction On Demand 2 | Erotischer Fantasy-roman Von M.c. Steinway | Blue Pan

Satisfaction On Demand 1 | Erotischer Fantasy-roman Von M.c. Steinway | Blue Pan

Werchowska,marie-cla - Le Groupe Des Cinq Et Le Piano. Klavier Steinway & Sons -

This bestseller and winner of every major literary award in Taiwan is an elegiac novel about love and loss, broken dreams and desolate hearts—and music: \"A delightful read.\"—Ha Jin\n   \n A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from a dark apartment in Taipei’s red-light district to snow-clad New York.\n  \n At the heart of the story is the nameless narrator, the piano tuner. In his forties, he is balding and ugly, a loser by any standard. But he was once a musical prodigy. What betrayal and what heartbreak made him walk away from greatness?\n  \n Long hailed in Taiwan as a “writer’s writer,” Chiang-Sheng Kuo delivers a stunningly powerful, compact novel in The Piano Tuner. It’s a book of sounds: both of music and of the heart, from Rachmaninoff to Schubert, from Glenn Gould to Sviatoslav Richter, from untapped potential to unrequited love. With a cadence and precision that bring to mind Thomas Mann’s Death in Venice, Kazuo Ishiguro’s Nocturnes, and Yasunari Kawabata’s Snow Country, this short novel may be a portrait of the artist as a “failure,” but it also describes a pursuit of the ultimate beauty in music and in love.